Siobhan Dillon Photography

Dundak born DIT photography student.


At the Hour of Our Death

Death, like birth, is part of a process. However, the processes of death –- the events leading up to the end of life, the moment of one’s last breath, and the aftermath of death — are often shielded from view. Today in Western society most families leave to a complete stranger the responsibility of preparing a loved one’s body for its final resting place. Traditional mourning practices, which allowed for the creation of Victorian hair jewelry or other memento mori items, have fallen out of fashion. Now the stain of death is quickly removed, and the scene where a death occurs is cleaned and normalized. As Phillipe Aries writes, “Society no longer observes a pause; the disappearance of an individual no longer affects its continuity”. The modern means of dealing with death promises to shield mourners from the most graphic aspects of death, yet the emotional and psychological impact of such loss lingers long after any physical evidence of this process has been erased.

At the age of seventeen I lost a friend to suicide. While visiting his home the day after the tragic news I witnessed a clean up crew steam cleaning the carpet in his bedroom. All physical traces of the past 24 hours had vanished.

At the Hour of Our Death takes as its starting point Aries’s observation that “death’s invisibility enhances its terror”. These large-scale color photographs capture and fully illuminate swatches of bedding, carpet and upholstery marked with the signs of the passing of human life. The fabrics which are first removed by a trauma scene clean up crew, are relocated to a warehouse before being incinerated. It is in the warehouse that I photograph these fragments stained with bodily fluids. I tack each swatch to the wall and use the crew’s floodlights to illuminate the scene. The images are my attempt to slow the moments before and after death to a single frame, to allow what is generally invisible to become visible, and to engage with a process from which we have become disconnected.

-Sarah Sudhoff

I’m sorry if these upset anyone at all, I mean they even make me a little teary eyed for different reasons I won’t disclose, but they are incredibly beautiful to me and that’s why I’m posting them. I agree with Sudhoff on a lot of things. Death is always wrapped up and almost held secret especially in Western Society. I don’t know why it is at all. For me when someone dies I mourn yes, but I also celebrate their life. I wish I could have had the chance sometimes to see my lost ones before the “process of making them beautiful again” took place.

For me, capturing what I feel with my body is more important than the technicalities of photography. If the image is shaking, it’s OK, if it’s out of focus, it’s OK. Clarity isn’t what photography is about.

—Daido Moriyama  (via cut-dead)

Self Initiated Test Shots.

© Siobhan Dillon


Panti’s Noble Call- homophobia in Ireland, 2014. 

Find what you love and let it kill you.

—Charles Bukowski (via quotes-shape-us)